The Jealous One–Best 100 Mystery Novels of All Time

The Jealous One—Celia Fremlin–1964  used. I wouldn’t leave the bathtub until I’d finished reading. I wouldn’t have a conversation with the husband, until the last chapters were gobbled up. I wouldn’t pay attention to anything else around me, even though I was at a pricey bed and breakfast for a two day romantic extravaganza. I … Read more

The Spider Orchid–Best 100 Mystery Novels of All Time–Runner Up

The Spider Orchid—Celia Fremlin–1977 –Used. I admit I originally had this on my Best 100 Mysteries of All Time list. I remember loving Ms. Fremlin, and thought this title was the best of what I read. But upon rereading this and another, I found I favored the other much more, so have switched this from … Read more

The Red Right Hand–Best 100 Mysteries of All Time

The Red Right Hand-–Joel Townsley Rogers–1945–used It’s almost impossible to describe The Red Right Hand. It’s kookie. Odd. Seemingly disjointed and nonsensical. It’s none of those things in the end, but it is something of a gigantic guffaw. Because you really need to set your suspension of  belief  at a very high level to believe … Read more

The So Blue Marble–Best 100 Mysteries of All Time

The So Blue Marble—Dorothy B. Hughes–1940–used ‘One delighted  voice said,  “Griselda, fancy seeing you!” The other one was laughing, “We’d thought you’d never come!” She could see the tall silk hats, the shining white scarves, the dark coats, the sticks under their arms. Even in shadow, she knew she had never seen their faces.’ This … Read more

Easy Readers

Originally, I had intended to write an article recounting my interest in American primers and first readers, along with Kathy McMillan’s influence and knowledge.  I asked her  a few questions, and she came back with an  illustrated supremely interesting full article that I did not want to disturb with my newly acquired insights. It was … Read more

Primarily Basic Readers

Vera Stone (later Norman), one of the most prolific reader illustrators of all. From "Bob and Judy Reader", 1936. Illustrated by Vera Stone Norman.
Vera Stone (later Norman), one of the most prolific reader illustrators of all.
From “Bob and Judy Reader”, 1936. Illustrated by Vera Stone Norman.

By Kathie McMillan

I did not set out to collect primers. It began quite by accident when I found Friends from the Children’s Own Readers series, which was illustrated by Marguerite Davis,an illustrator I had never heard of. I was rummaging around in an unlikely flea market here in my own small rural town with the vague notion of finding material suitable to post on flickr.com. I had stumbled upon a community of people who posted vintage images from the early twentieth century, a period that I had always been interested in. I was very smitten by several contributors. When I had collected a few images for use in crafting, I decided that the least I could do was give back by posting a few images of my own. After all, I had spent hours back in those very early days of the World Wide Web searching for fairy images from the early twentieth century; and here they were all grouped together, like a giant picture book on my coffee table! It did not seem right to take and not to give back.

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Forgotten Children’s Classics

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Having explored all the children’s classics I haven’t read, I thought I’d delve into those old kids books long ago buried, most for very good reason. The ‘classics’ of my post title, is tongue in cheek, although there must be some books I have hanging around because of  illustrations that are familiar to readers. Raise your hands if you’ve ever heard of : The Cuckoo Clock, The Enchanted Castle, The Cruise of the Little Dipper and other Fairy Tales, Granny’s Wonderful Chair, Princess Goldenhair and the Wonderful Flower, The Sleepy Song Book, Rag Doll Jane, Jackanapes, or  the book I give the prize for the most bizarre illustrations

Gnomes from Milo Winter's hand for Princess Goldenhair
Gnomes from Milo Winter’s hand for Princess Goldenhair

and odd story, Come Unto These Yellow Sands. A few of the titles I began with high hopes, the stories looked intriguing, the illustrations thrilling, the chapters short. I fell asleep reading most–although The Sleepy Song Book can’t really count, obviously. What makes these books so classless? They ramble. Around. A lot. Granny’s Wonderful Chair essentially retells typical fairy tales and Mother Goose, but in a dull, only line drawings, way. I endured Princess Goldenhair through many chapters–something about having to travel great distances for something blah blah and gnomes are involved–so is a witch that hangs weird stuff on her wall. There’s a King Otto (I knew him!), a selfish prince trying to kill a little fawn, and the princess of the golden type hair. Milo Winter illustrated the book so my thoughts were it had to be half decent–why else would he do it?

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Unread Children’s Classics

gullivervictorianFor reasons that escape me, I’ve at least 3 editions of Gulliver’s Travels. I haven’t read it, have no plans to read it. Just like I have no plans to read Treasure Island, Little Women, or Men, Winnie the Pooh, Peter Pan, Kidnapped, anything by Kipling, or Uncle Tom’s Cabin. Is the last even a children’s title? These are considered classics. My question–who determines such things? Who  designates one book over another as a classic? How did The Swiss Family Robinson turn into a venerable read? Or Heidi? Sales? I doubt it. It had to be some dry critic of eons past who bestowed upon Heidi the crown of  ‘classic.’  I’ve tried numerous times to read the book, but Shirley Temple keeps intruding her voice echoing, “Grandfather, Grandfather” over and over. That reminds me of two others I can’t seem to get past the first few chapters–The Little Princess, and The Secret Garden. Shirley’s half sobbing shouts, “Father, Father, don’t you know me? You MUST know me, I’m Sara, I’m your Sara!” as Queen Victoria wheels by makes drab the narrative of the original Princess. Naturally all ends well within the movies. I heard a rumor, however, that in the book, the father is really dead and never returns to poor Sara. No way will I crack open that book to be dashed in the end.

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