For reasons that escape me, I’ve at least 3 editions of Gulliver’s Travels. I haven’t read it, have no plans to read it. Just like I have no plans to read Treasure Island, Little Women, or Men, Winnie the Pooh, Peter Pan, Kidnapped, anything by Kipling, or Uncle Tom’s Cabin. Is the last even a children’s title? These are considered classics. My question–who determines such things? Who designates one book over another as a classic? How did The Swiss Family Robinson turn into a venerable read? Or Heidi? Sales? I doubt it. It had to be some dry critic of eons past who bestowed upon Heidi the crown of ’classic.’ I’ve tried numerous times to read the book, but Shirley Temple keeps intruding her voice
Good Reads Archive
The Deadly Percheron–John Franklin Bardin–1946–IP I no longer am a bookseller, but that didn’t stop me from selling The Deadly Percheron when it was rereleased some years back. I was in my friend’s store, The Black Orchid, and when customers came in without a definite direction in genre or author, I naturally tried to sway them to a favorite title. When another bookseller first tipped me to this title, I wasn’t convinced to read it. It sounded, well, bizarre, to put it mildly. After finally giving in, and after finishing it in record time, I started looking for a first edition to acquire–the benchmark of quality for me. Jacob Blunt visits a psychiatrist, George Matthews, with a tale of woes about ‘leprechauns’ who are paying
Mystery Writers of America have announced this years nominees for the fantastic Edgar A. Poe Award. I’m familiar with Lehane, Mosley, Atkins, and maybe a few more, but their recent books haven’t been read by me. There was a time, long long ago, when I had read everything nominated, and if I hadn’t, I would in prep for the award ceremony. Not remotely possible now, lol. I’d need access to all of the books, and that’s not happening. Congrats to all who are nominated. I’ll try to write another article about my experiences in regards to the nominations, and banquet before they are awarded in early May. http://www.theedgars.com/nominees.html
The Maltese Falcon–Dashiell Hammett–1930–in print This book is such a given, I thought I’d already wrote my little piece on it–but no! Anyone who hasn’t heard of the book must be living in a sad place. If you’ve not read it, only heard of it, you are living in a grey place. If you’ve only seen the film, and not read the book, your world is overcast. Only if you’ve read the book can you claim to be of the living, IMHO. Ok, naturally that’s going a bit far. The Maltese Falcon is so pleasurable a read, and yet so influential in style, character, genre, that it’s taken for granted. I’ve reread it a couple of times, something unheard of for me, and each time
A friend of mine gave me a recent article revealing that women are still using male pen names, or initials to disguise the very fact they are women. The statistics show that men will invariably ignore anything that hints at a feminine hand, whereas women will read either sex. The publishing industry does nothing to encourage women to fight the trend, either. They ask or even demand that a science fiction or hard boiled suspense author write under initials or a male pseudonym. They claim they want to gain every reader, and if a man picks up a book in a typically masculine genre with a woman’s name on the cover, they are likely to put it right back down again, and who wants to