John Martin’s Book, The Child’s Magazine

Typical cover of a John Martin’s Book.

When I go through the piles of vintage children’s magazines I’ve collected over the years, one thing strikes me. Kids don’t read this kind of stuff anymore. They probably don’t read at all, but the historical and classic tilt to the John Martin’s Book, The Child’s Magazine, may be over the heads of most children today. I realize we are supposed to be more educated, technically advanced, better off than back in 1912 when this man began his publishing, but as far as what kids were expected to know, expected to learn, expected to memorize in the past, education has been dumbed down, or in nicer vocabulary, simplified.

Up until I just googled him, I knew very little about the man behind these extraordinary publications. I knew his real name wasn’t John Martin, although I could never imagine such an interesting one as Morgan van Roorbach Shepard. His life reads like an adventure story, or a tale from Dickens. He was born in Brooklyn, and  grew up on a plantation. Right here, the story seems implausible. For some reason, he decided to retain the last name of the either a ‘colony’ of people  named Martin, or bunches of birds–wiki doesn’t explain. Devastated by his mother’s death when he was nine, he was shunted off to boarding schools. According to wikipedia, he was often bullied, but considering the new popularity of that word, I have my doubts as to what that means. I also don’t know what, if anything, suffering in boarding school like most kids who attend, did to form his character. He told a tale of being a revolutionary in some South American country, was fired as a conductor on a San francisco  trolly car for giving free rides to children and specific adults, and began his own greeting card company in a building destroyed by the famous 1906 earthquake, in which he was injured. Supposedly it was during his convalescence he began writing stories and poems for children, which after several years became long illustrated letters to thousands of kids, and in 1912 became the magazine.

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Laughing All The Way To The Remainder Table

Look on the lighter side? Tardar Sauce would rather not, thank you.

William Zinsser once described the humour section of any given bookshop as the most depressing place in the world to contemplate the state of arts and letters.  When Zinsser wrote that essay in 1966, much of the humour section consisted of anthologies of comic strips, bound editions of comic book story arcs, and ‘ slight parodies based on trends that were long on booger jokes and bathroom humour  and short on actually literary merit.

With the advent of National Lampoon as an outlet for humour writers who had outgrown their incubation space at Harvard and other college-based humour magazines, trade paperbacks featuring cartoons and parodies began to scoot Charlie Brown and Pogo Possum to the edges of the shelves.

The 1970s’ was a time when the elevation as the comic and humourist from a gadfly observing from the edges to an icon and spokesperson made a significant impact on pop culture.  Situation comedies centered around comedians (rather than entertainers who do comedy) began to dominate the network schedules, especially in a culture that had wearied of titillation and violence as prime time mainstays.   The close of the decade saw NBC’s Saturday Night Live , with its Second City alumni-heavy cast peppered with contributions from the BBC’s Monty Python crew  dominate and reshape the genre in television, cinema, and print.

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