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This prompted me to peruse about half of The Drowning Pool – 133 pages or so – to see how many similes I could count. (I’m using the Vintage Crime Black Lizard edition from May 1996). I counted thirty four and no doubt missed a few. I haven’t done the legwork, but I think some of the later books might have a slightly higher ratio. That’s a lot, but in any case I would argue that many of Macdonald’s similes are so strong that they infinitely enrich the work. Not only that – they are so strong that they put many “serious” writers of fiction to shame.
Rather than reading the Archer stories solely as mysteries, thrillers, entertainments, and detective stories (though of course they can exist solely on that level for readers who are interested in them as such), we’d do ourselves a favor to consider them in a few other ways as well. In the massive reference work World Authors 1950-1970, published by the H.H. Wilson Company, Macdonald wrote that The Galton Case and Black Money “are probably my most complete renderings of the themes of smothered allegiance and uncertain identity which my work inherited from my early years.” Of course, in Black Money the smothered allegiance occurs between the lovers Ginny Fablon and Tappinger.
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